The title of Amanda Ross-Ho鈥檚 recent solo show at the 平特五不中 College Museum of Art, 鈥淭he Cheshire Cat Principle,鈥 is a clear tip-off that she鈥檚 an artist who thinks about invisibility. Things, in her oeuvre, are not always what they seem. Working with images, objects and ideas from everywhere and anywhere鈥攆rom mass culture to private life, from high-end philosophy to the diurnal routines of her feline companions鈥擱oss-Ho sorts her gleanings in a studio world where improvisation and elaboration rule the day (and night). Frequently, when her work emerges into public view鈥攁s paintings, sculptures, photographs and installations鈥攊t is so imbued with studio process and atmosphere that it might seem to be art-about-art.